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Photoshop: Brush Dynamic

: Thursday, May 10th, 2007 (Last Updated: March 4th, 2008)
: freetime

Photoshop Brush Dynamics options allowed you to vary the size, opacity, and color of paint according to input from a pressure-sensitive drawing tablet, such as Wacom (the leader in this industry). The pressure-sensitive drawing tablets respond to how hard you press on the stylus, as well as the angle of the stylus and other attributes. However whether you use a stylus, a mouse, a trackball, or even a finger on a notebook touch pad, you can simulate many of the pressure sensitivity features available to tablets using Jitter or Fade option. (see also Wacom Tablet and Photoshop)

You can see all Photoshop’s Brush Dynamic option list in Brush Palette under Brush Tips Shape section. Click on each dynamic to show its option panel on the right of brush palette. If you’re not familiar with some option in brush palette an also modifying brush size or brush shape you may refer to Using Photoshop Brush Palette.)

Photoshop Brush Palette - Dynamic

A: Brush Dynamic, B: Other Brush Option C: Brush Dynamic Control Option

Note: Although all dynamics can use with Brush Tool but not all painting tool or retouching tool can use all dynamic option. For example, the Wet Edges check box is unavailable with the Pencil tool , Color Dynamics is dimmed when using the Dodge tool and Burn tool . Also, each tool observes an independent set of defaults. So activating, say, Shape Dynamics, Texture, and Smoothing for the Brush tool does not turn them on for other tools. However, these options do turn on again the next time you return to the Brush tool.

Tip: To save a group of brush dynamics for use with a variety of tools, click the New Button New Button at the bottom of the Brushes palette. Brush dynamics are considered to be part of a saved brush shape, and transfer from one tool to another.
You can also save a group of brush dynamics for use with a single tool, using the Tool Presets. Choose New Tool Preset from the Tool Preset palette menu. So you can designing your own custom tool that you can select from the Options bar. (See Using Photoshop Tool Preset for more detail).

Brush Dynamic Control Option:

For most of brush dynamic you have option to select how to control each dynamic. The Pen Pressure, Pen Tilt, and Stylus Wheel settings require a tablet and stylus. If you own a pressure-sensitive tablet, the most obvious setting is Pen Pressure, which is the default. This option allow you to control dynamic by pressure you press stylus on digital tablet. For example, if your select Pen Pressure control for Size Jitter in Shape dynamic, you can press or drag stylus harder to make your brush diameter bigger or draw light stoke on tablet to make the line smaller.You can select this option by Select control option form Control drop-down menu for each dynamic. Brush Control Option

Note: If you’re using a mouse, selecting one of these options displays a warning icon Warning Icon to let you know it isn’t going to work. If you are using a tablet and see this warning icon Warning Icon, try clicking with the stylus on the Brushes palette. If that doesn’t work, open the control panel or utility that manages the tablet to make sure the tablet is properly installed.

Brush Control Description
off: This option turns off your control over varying the thickness of the brush-stroke. You can still add random variations to the thickness using the Size Jitter value.
Fade: This option works every bit as well whether you use a mouse or tablet. Choose Fade to reduce the size of the brush over the course of the drag, and then enter a value in the option box on the right to specify the distance over which the fading should occur. This distance is measured in steps � that is, the number of spots of color the brush plops down before reducing the size of the brush to its minimum (defined by the Minimum Diameter setting). The default value is 25, which means 25 spots of color. Exactly how long such a stroke is in, say, inches depends on the Diameter and the Spacing values in the Brush Tip Shape panel. Be prepared to experiment. Fade Option
Pen Pressure: The default option that allow you to control Brush Dynamic using hand pressure. Photoshop will measure how hard you press or drawing on tablet and apply its value on dynamic you select.Note: You can control the pressure stylus sensitivity (soft or firm) at Wacom Tablet Control Panel outside photoshop. See your user manual for detail.
Pen Tile: The tilt of a pen is its angle with respect to the tablet. When you set the Control option to Pen Tilt, you do two things.First, you vary the dynamic of the brush according to pressure, just as you do when using Pen Pressure. Second, you add an element of vertical scaling so that the brush shape is oblong during a tilt. This scaling is defined by the Tilt Scale slider.Pen Tilt works more predictably when applied to roundness. Pen Tile
Stylus Wheel: The stylus wheel is particular to electronic airbrushes available for tablet users (such as Wacom’s Intuos3 airbrush). Unlike the scroll wheels included with many PC mice, the wheel on an airbrush locks into position. This means you can nudge it higher or lower and leave it there. Although typically associated with properties such as Flow.The airbrush wheel is surprisingly useful for diameter as well. Move the wheel up, the brush gets thick and stays thick; move the wheel down, and you lock in a fine line, all in the middle of painting a brush-stroke. Stylus Wheel

Note: All Wacom tablet support Pen-Pressure option, but in different resolution and pressure-level (usually higher series offer more resolution and pressure-level), and also not all series of Wacom tablet can use Pen Tile option (available in Intuos Series and higher). To use Stylus Wheel option you need Airbrush pen that sold separately as tablet accessory. You can check all Wacom tablet specification at Wacom tablet Comparing page.

Shape dynamics

The Shape Dynamics include 3 sections: Size Jitter, Angle Jitter, and Roundness Jitter. These options allow you to vary the diameter, angle, and roundness of the brush.

Size Jitter:

This options controls the thickness of the brush-stroke or brush Diameter. Unless it’s use control option (Pen Pressure, Pen Tilt, and etc.) you set to vary the brush size depend on your pressure or tile when you’re drawing. More pressure or tilt equals bigger brush diameter.

Use following options to add Size dynamic to the brush:

Brush Shape Dynamic - Size Jitter
  • Size Jitter: Enter number in % or use slider to add a randomness to the thickness of a brushstroke. This option works equally well with mouse or stylus. Higher values produce a wider range of jitter. Keep an eye on the preview at the bottom of the palette to get a sense of what different settings will do.
  • Control: Select method you want to control size of the brush. (See Brush Dynamic Control option above)
  • Minimum Diameter: This option determines the thinnest a brush-stroke can become.
  • Tilt Scale: This option only available when you set the Control option to Pen Tilt, it stretches the height of the brush to make it elliptical when you tilt the stylus.

Size Jitter Sample

27px brush with Size Jitter to 100% and Brush Spacing 150%

Angle Jitter

Use this dynamic to control Angle of your brush. Just like the diameter settings, you can link the angle of your brush to control option. More pressure or tilt equals more rotation of the brush. You can also link the angle to Fade, which rotates the brush over the course of a specific number of steps and then returns the brush to its normal angle. If the brush is complete round shape, you won’t see a difference.

Use following options to add Angle dynamic to the brush:

Brush Shape Dynamic - Angle Jitter
  • Angle Jitter: Similar to Size Jitter unless this option random brush angle instead of brush size. Use slider or enter value to rotates the brush randomly as you paint
  • Control: Select method you want to control angle of the brush. (See Brush Dynamic Control option above)

Angle Jitter have two additional options in Control pop-up menu.

  • Direction: Rotates the brush according to the direction of your drag. A horizontal drag is considered the normal angle, when dragging vertically, the brush rotates 90 degrees.For maximum effect, after setting this option to Direction, go to the Brush Tip Shape panel and set the Angle value to 90� with an elliptical brush. Then raise the Spacing value to something higher than 100 percent.
  • Initial Direction: This option rotates the brush according to the very start of your drag direction as normal angle (instead of horizontal angle for Direction option). The brush rotation will vary depend on direction you change from initial direction.

Angle Jitter Example

27px brush with Angle Jitter to 100%, Brush Spacing 300%, Brush Roundness 20%

Roundness Jitter

Use this option to control brush Roundness dynamic similar to another two jitter that describe above. Set this option to Fade to reduce the roundness to its minimum over the course of a specified number of steps. You can also associate the roundness with Pen Pressure, Pen Tilt, or Stylus Wheel. Anyway Pen Tilt might be the most suitable option because that’s what pen tilt does in real life.

Use following options to add Roundness dynamic to the brush:

Brush Shape Dynamic - Roundness Jitter
  • Roundness Jitter: Use this option to introduce random variations in roundness to your brush-stroke.
  • Control: Select method you want to control roundness of the brush. (See Brush Dynamic Control option above)
  • Minimum Roundness: This value determines the minimum roundness, or maximum flatness, of the brush available to the Control and Jitter settings. If the Control option is set to Off and the Roundness Jitter is 0 percent, then the Minimum Roundness slider is dimmed.
  • Flip X and Flip Y Jitter: These two check boxes at the bottom of the Shape Dynamics panel give you the ability to flip the jitter on its x-axis, y-axis, or both at once, much like you can flip the brush tip shape. Flipping the jitter on its axis may be more control than most of us will ever need, but you can’t fault Photoshop for offering yet another means of controlling brush-strokes.

Roundness Jitter Example

27px brush with Roundness Jitter 100% and Brush Spacing 150%

Scattering

Highlight the Scattering option to spread the position of the spots of color around the brush-stroke. When using a custom brush, the effect is like spraying a pattern of images. Scattering dynamic include 2 sections : Scatter and Count, that have it own Control option as you see below.

Use following options to adjust Scattering for the brush:

Brush Scattering
  • Scatter: Raise the Scatter value to increase the spread.
  • Both Axes: Select to scatter the brush spots along the stroke as well as perpendicularly to it.
  • Count: This option define the population of brush spots. Increase this value will increase number of brush spots.
  • Count Jitter: Use this option to random the count value
  • Control: Select method you want to control scattering of the brush. You have this option for both scatter and count. (See Brush Dynamic Control option above)

Brush Scattering Example

27px brush with Scatter Jitter 100% and Brush Spacing 30%

Texture

Select this option to apply a texture to a brush-stroke, useful for conveying a surface such as paper or canvas. You can selecting a predefined texture. You can click New Button New Button next to texture preview to create new preset from current pattern.

If you want to vary the degree of texture applied to brush throughout a stroke, turn on the Texture Each Tip check box. Then use the Control option to vary the depth according to, say, stylus pressure, or add some random Depth Jitter.

Use following options to adjust texture applied to brush:

Brush Texture
  • Invert: Check to invert texture color.
  • Scale: Use this value determine size of texture to apply.
  • Texture Each Tip: Check to enable Texture Dynamic option
  • Depth: Use this value determine degree of texture applied.
  • Mode: Use this option to define how brush and texture mix using several blending modes. (See Blending Mode for more detail).
  • Depth Jitter: Set this option to random depth value.
  • Control: Define Control option for Depth Jitter.

Brush Texture Example

27px brush with Texture applied to brush shape (Using setting as shown in screen shot on the left).

Dual Brush:

The Dual Brush panel lets you mix two brushes together. Select the second brush from the list of thumbnails and use the Mode option to specify how the brushes intermix. You can mixing a standard round brush with one of Photoshop’s predefined Dry Brush options, so you can generate a complex brush that imparts its own texture. You can also set common brush option below brush thumbnail, Spacing, Scatter, and Count, for second brush.

Dual Brush
  • Mode: Use this option to define how the two brushes are mix using several blending modes. (See Blending Mode for more detail).
  • Flip: Check to Flip second brush
  • Diameter: Brush Size for second brush.
  • Spacing: Brush Spacing for second brush.
  • Both Axes: Check to spread second brush spots in a radial direction. When unchecked, the second brush spots are distributed along the stroke path.
  • Scatter: Define how spread for second brush
  • Count: Number of brush spots for second brush

Dual Brush Example

27px brush mixed with 60px Dry media brush using option on the left

Color Dynamics:

Normally painting tool (such as Brush Tool) will use only Foreground color you assign to add color to image’ pixel while you are painting. You can use these options to vary the color of the stroke between the foreground and background colors depending on a fade or stylus pressure. You can also apply random changes to the hue, saturation, and brightness, or all three.

Note: Whether you select any color for foreground/background you will not see any change in Brush preview area (F). Color dynamic will not preview in brush preview area, that is show only back stroke on white background, you have to actually paint on image to see effects. In this case you may need to save current setting using New Button New Buttonat bottom of brush palette to save your current setting while making test and fine tune your brush color dynamic effects. With saved brush in various versions you can go back to previous setting easier.

You can use following option to add random color to brush stroke.

Brush Dynamic - Color Dynamic
  • Foreground/Background Jitter: To random current Foreground and back ground color to the brush
  • Control: Method to control the jitter.
  • Hue Jitter: Random color Hue value. If you turn it to 100% to add all color to brush stroke and will have same effect for all foreground and background color if Foreground/Background Jitter is 0%.
  • Saturation Jitter: Enter value to random color saturation.
  • Brightness Jitter: Enter value to random color brightness.
  • Purity: increases or decreases the saturation of colors throughout the brushstroke.

Brush Color Dynamic Example

27px brush set Red as Foreground and Green as Background and Purity 100%. All setting that didn’t state are set to 0.

Other Dynamic :

This final dynamic is the one that I use with all of my brush when working with Wacom tablet. This brush dynamics option allow you to control over opacity, strength, flow, or exposure of the brush, depending on what tool you’re using. If you happen to own an airbrush pen, settings such as the Flow and Exposure are what the wheel was originally designed for.

Tip: You can change the opacity of brush-strokes or edits that you just applied by choosing Edit � Fade or pressing Ctrl + Shift + F (Command + Shift + F). Then reduce the Opacity amount in the Fade dialog box. While you’re in the dialog box, you can also apply one of Photoshop’s Blending modes to the stroke.

Brush Other Dynamic

Note: The common option of most tool are Opacity and Flow. Strength option, which Opacity option is dimmed and replace Flow option, are available for Blur Tool Blur tool, Sharpen Tool Sharpen tool and Smudge Tool Smudge tool. Exposure are available for Dodge tool Dodge tool and Burn tool Burn tool, like Strength option Opacity are not available and Flow is replace by Exposure for both tools.

Opacity:

The Opacity value determines the transparent of colors applied with the Brush or Pencil tool. At 100% in normal mode, the applied colors completely covering the image behind them. At lower settings the applied colors mix with the existing colors in the image.

Flow:

The Flow option appears when using the Brush tool, Sponge, History brush, both stamp tools, and the Eraser. Although The Airbrush Airbrush Button option always accompanies the Flow option, you can use Flow and Airbrush independently. The Flow value controls the opacity of each spot of color a tool delivers. (See also Airbrush Option)

The difference between Opacity, which controls an entire brush-stroke, and Flow, which affects individual spots of paint. So Spacing have effect with Flow, tighter Spacing values also heighten the color . For example, at lower settings, let’s say at 20% when you draw a stroke, with Opacity alone you will never have more that 20% color along the stroke. But with the Flow you may got color with more than 20% transparent due to speed of drawing, overlap brush stroke or spot intensity.

When using the Brush, History, Stamp, and Eraser tools, you can combine Opacity and Flow values to achieve unique effects. You can also add in the Airbrush, which compounds Flow further by adding spots of color when you slow down a brush-stroke or hold the cursor still.

Strength:

When using the Blur Tool Blur tool or Sharpen tool Sharpen tool, the Opacity option changes to Strength. The value determines the degree to which the tool changes the focus of the image, 1 percent being the minimum and 100 percent being the maximum. Strength also appears when using the Smudge tool Smudge tool , in which case it governs the distance the tool drags colors in the image.

Note: The default Strength value when you begin using Photoshop is 50% instead of 100% as for Opacity default value.

Exposure:

Available when using the Dodge Tool Dodge tool or Burn tool Burn tool, Exposure controls how much the tools lighten or darken the image, respectively. Like Flow, Exposure compounds when you corner or overlap a brushstroke, and includes an airbrush variation. A setting of 100 percent applies the maximum amount of lightening or darkening, which is still far short of either absolute white or black. As with Strength, the default is 50 percent.

Tip: You can quickly change the Opacity, Strength, or Exposure setting for the active tool by pressing number key. For Example, press 1 for 10%, 5 for 50%, 0 for 100% or 0 and 1 (01) for 1%.

To change Flow value for Brush tool and others that offer both Opacity and Flow , If Airbrush icon Airbrush Button is turn off press Shift + Number will change Flow value. But if Airbrush icon Airbrush Button is active pressing number will change Flow value and you can use Shift + Number to change Opacity value.

Other Brush Options

The list along the left side of the Brushes palette, bottom part of (D), ends with five check boxes that you can use to add highlights and constraints to your brush-strokes. Not all options work with all tools, but when available, they’re as effective as they are easy to use. And they work equally well with mouse or stylus.

Noise and Wet Edges Brush

  • Noise: This option randomizes the pixels along the edge of a brush-stroke. Because the option affects the edge only, softer brushes result in more noise.
  • Wet Edges: When you select the Wet Edges check box, the brush creates a translucent line with darkened edges, much as if you were painting with watercolors. Soft brush shapes produce more naturalistic effects.
  • Airbrush: This check box duplicates the Airbrush icon Airbrush Button in the Options bar. When turned on, paint builds up even when you hold the cursor in place, as if spraying color from a real airbrush. The Airbrush option is not available when using the Pencil tool or any of the three focus tools (Blur, Sharpen, and Smudge).
    Normally, the Brush tool applies a continuous stream of color and stops applying paint whenever you stop dragging. However, if you activate the airbrush function by clicking the airbrush icon in the Options bar, the color continues to build up as long as you press the mouse button, even when you hold the cursor still.Brush, Airbrush and Pencil tool sampleFrom example above, all stroke using same brush size and shape but decrease Flow option for airbrush by 50%. When turn on Airbrush function you will get darker color at the corner and end of the stoke due to slower speed when drawing.
  • Smoothing: If you have difficulty drawing smooth lines and curves, turn this check box on to even out the rough spots. It slows down Photoshop’s tracking time a little, but in many cases, it may be worth it. Adobe recommends this option when using a stylus, but it’s useful for optical mice, which are notoriously bad at tracking evenly on patterned surfaces, such as wood tabletops.
  • Protect Texture: If you plan on painting a lot of textured lines and you want your textures to match, select this check box. It maintains a consistent pattern from one brushstroke to the next. The effect can be subtle, but we usually advise working with the option turned on.

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